​Chia-Ning Chang 張家寧

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​​Influenced by online culture, my work explores seemingly contradictory yet coexisting dynamics. Drawn to fantasy and reinterpretation, I engage with visual media, installation, and material-based experiments to reflect on the layered perceptions formed at the blurred boundary between the virtual and the real—tracing how nature and artificiality become entangled in contemporary contexts.

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深受網路活動影響，作品延展那些看似對立卻共存的關係。喜歡幻想與改寫，透過影像、裝置與材質實驗，回應虛實邊界中的感知複合性，探索自然與人造在當代的共構樣態。

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Yu-Ting Tsai 蔡昱廷

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Yu-Ting Tsai (b.1999, Changhua, Taiwan) is an artist who lives and works in Taipei, he holds a bachelor’s degree in mechanical engineering and is currently pursuing a master's degree in New Media Art at TNUA. The vocabulary words used in the work consists of various fields of knowledge, such as nature, technology, and history to construct a multi-perspective viewing. The mediums include installations, videos, and photographs. The core of the work stems from life experiences, exploring and identifying self, spirits, places, and histories. The individual is viewed from a topological perspective, and the ideas are generated by navigating through different systems and coordinates to interweave a common location in points.

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蔡昱廷，1999年生，目前於北藝大新媒體藝術碩士進修，居住與工作於台北。創作語彙多結合自然、科技、歷史等不同知識領域。媒材跨及裝置、錄像、與攝影。目前創作源自於生命經驗、精神、地方、歷史的挖掘與辨認，著重於身體感、技術介入與個體多重主體性的形塑過程。

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Yung-Jen Huang 黃詠仁

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Born in Kaohsiung, Taiwan in 1997, Huang Yong-Jen graduated from the Department of Applied Music, Aletheia University in 2019, majoring in composition. He is currently studying at new media Arts graduate program, National Taipei University of the Arts. He has been thinking about New Music-Theater and Musique concrète. Recently, he has also paid more attention to the relationship between sound culture and sound symbols in contemporary society and tried to reflect an East Asian perspective in the information generation through his works.

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出生於1997年的台灣高雄，黃詠仁於2019年畢業於真理大學應用音樂學系，主修作曲。現就讀於國立臺北藝術大學新媒體藝術研究所。他長期關注新音樂劇場（New Music-Theater）與具象音樂（Musique concrète）的創作思維，近期亦將焦點放在當代社會中的聲響文化與聲音符號之間的關係，並嘗試在資訊生成中融入東亞視角加以反思。