

Auditory Topologies_ Resonance
聲態系_共鳴
2025
Dependent on the exhibition venue
DC motor, walnut wood, electronic materials
依場地而定
直流馬達、胡桃木、電子材料
As the motor shaft rotates, subtle and unique sound textures emerge from magnetic field shifts and coil irregularities—both familiar background noise and distinctly artificial. These mechanical sounds, now integral to our acoustic environment, intertwine with natural ones to form a sensory field. The work creates a listening experience between the natural and the artificial, reflecting on the tension between technology and nature. Embracing unpredictability, it builds sonic tension between order and chaos, prompting reflection on the role of technology in daily life.
當馬達軸旋轉時,因磁場變化與線圈結構的不均勻性產生出微妙獨特的聲音質感,既似日常背景噪音,又帶有明顯的人工特徵。作為現代機械系統的核心,馬達聲響早已融入我們的聲音環境,與自然聲響交織成感知場域。作品透過這些聲音創造出介於自然與人工之間的聽覺體驗,回應當代對科技與自然關係的思考,並引入自然中不可預測的偶然性,在秩序與混沌之間建立流動的聲音張力,促使觀者重新審視技術在生活中的角色與意義。
About Artist
Chan-Liang Kuo
郭展良
Born in 2004, focuses on sound and light installation art, exploring the interactions between sound, light, and space within natural environments. Through the integration of technology and art, the work investigates the subtle connections between human perception and the surrounding world.
2004年出生,專注於聲光裝置創作,關注聲音、光線與空間在自然環境中的交互關係。透過科技與藝術的結合,探索人類感知與周遭環境之間的微妙連結。
